The Great Dictator ( 1940 ) And The Interview ( 2014 )

Many films that make a mockery of dictators have been released over the years, but two of those films stand out for how accurate their parodies are in reality, that stands up to a known oppressor. These two films are The Great Dictator (1940) and The Interview (2014). These two films share the comedic twist of Classical Hollywood Narrative to outline their story. Unlike many other films mocking a dictator these two films create a parody of a known figure in modern history to demoralize each despot for the good of the oppressed society. Outside of the film itself, they share a severe backlash upon release that involves bombings, cyber-attacks, and bans on both films. The following discussion will examine how the similarities in the techniques employed by each filmmaker during development helped to strengthen each film’s satiric impact, while also causing each film to incur a similarly harsh and violent reception upon debut. By 1938 Chaplin was one of the greatest writers, directors and actors in the film industry, well known for his socioeconomic and political satire within The United States. He felt so confident in his ability in mocking the world’s most dangerous man that he was willing to spend $1.5 million of the $2 million budget. The two differences in this later film from his earlier work were the introduction of sound in films and the disappearance of his reoccurring protagonist â€Å"The Little Tramp†. Chaplin’s use of sound in this film was a huge factor in history, notShow MoreRelatedAn Exploration Of The Great Dictator1354 Words   |  6 Pages Running head: AN EXPLORATION OF THE GREAT DICTATOR (1940) 1 AN EXPLORATION OF THE GREAT DICTATOR (1940) 2 An Exploration of Charlie Chaplin s Influences, Symbolism, and Use of Sound in The Great Dictator (1940) Vincent G. Foisy Cleveland State University. An Exploration of Charlie Chaplin?s Influences, Symbolism, and Use of Sound in The Great Dictator (1940) In the early 1900?s, Charlie Chaplin became one of the most famous filmmakers in American history. His clumsyRead MoreNobel Laureate Gabriel Garcia Marquez a Champion for Latin American Solitude1810 Words   |  8 Pagesand tangible. In Marquez’s Nobel Prize Lecture, he champions the experience of Latin Americans and its influence on his stories. In general, he then theorizes that the experience of Latin America is, in fact, an experience of solitude, in which buds great curiosity and inquiry. In his lecture, Marquez contends that Latin American lives are divinely magical and thus their experience cannot be understood; consequently, leaving them in a state of seclusion. His works are catalysts for social, political